PT Sans Regular

Designed by Alexan­dra Korolkova, Olga Umpel­eva and Vladimir Yefi­mov. Released by ParaType in 2009. PT Sans is a mod­ern human­ist sans serif font. Imper­fect bowls, slightly tapered spurs, a tear-drop shaped coun­ter­form on the g, and a soft foot ter­mi­nal on the l all make PT Sans feel slightly more hand-written than man­u­fac­tured. It has […]

Continue Reading

Meta Web Pro

A human­ist sans serif font designed by Erik Spiek­er­mann and pub­lished by FontShop. Meta was orig­i­nally a print font designed for small text. The same ele­ments that helps Meta stay read­able at small sizes in print helps Meta Web Pro stay read­able on screen: open aper­tures, a gen­er­ous x-height, gen­er­ous closed coun­ter­forms, and slightly loose […]

Continue Reading

Droid Sans

Designed by Steve Mat­te­son, Type Direc­tor of Ascen­der Corp. Droid Sans is a human­ist sans serif font. Ascen­der describes it as hav­ing “an upright stress, open forms and a neu­tral, yet friendly appear­ance.” Its open aper­a­tures, slightly tapered spurs, and a double-decker g all make Droid Sans feel slightly more hand-written than man­u­fac­tured. It has […]

Continue Reading

Open Sans

A human­ist sans serif font designed by Steve Mat­te­son. Open Sans was designed with an upright stress, but still feels human­ist due to its open aper­tures, double-decker g, and human­ist italic. It has a sim­i­lar x-height to Ver­dana, but has a lighter stroke weight, and even more clar­ity (leg­i­bil­ity) at smaller sizes. The bold feels […]

Continue Reading

Ubuntu

A sans serif open license font fam­ily, funded by Canon­i­cal and imple­mented by Dal­ton Maag. Ubuntu has some quirky ele­ments, such as the cor­ners cre­ated where shoul­ders meet stems on the let­ters a, r, n, m, h, p, q, and u. The quirks don’t under­mine the over­all tex­ture, rhythm, or read­abil­ity of the font, but […]

Continue Reading